Enigmatic Nok Culture: A Sub-Saharan Archaeological Puzzle

A. Sutherland - AncientPages.com - Some 2,500 years ago, a mysterious Nok Culture emerged in Nigeria. It was discovered in 1928, due to tin mining that was happening in the area.

This society 'without writing' - known for their extremely advanced social system - were the earliest producers of life-sized terracotta figures in the Sub-Sahara and iron in smelting furnaces.

The Nok Culture Created Bizarre Terracotta Statues

Mysterious Nok people had many talented sculptors. They left behind bizarre terracotta statues along with broken pots, other storage vessels, a clay lizard and fragments of clay faces with triangular eyes, immense nostrils.

A terracotta head - evidence of the oldest known figurative sculpture south of the Sahara - was unearthed of the first time in 1943, during tin mining in the vicinity of the village of Nok near the Jos Plateau region of Nigeria.  Later, similar heads, figures, animals, and pottery shards have been found in a number of Nigerian sites.

A lack of extensive archaeological study significantly limited our understanding of Nok terracottas. One of the earliest African centers of ironworking and terracotta figure production, the Nok culture remains an enigma.

The culture's ancient sites have been regularly researched since 2005, but the study of the Nok Culture has been disturbed by the political situation in the country.

People that had been living a Stone Age-like nomadic existence suddenly settled. Around 500 BC the population of this culture increased, and people who had long lived as nomads during the Stone Age decided to settle.

In their excavations, archaeologists excavated finds such as pottery, stone tools, iron objects, and plant remains, the evaluation of which will provide a comprehensive picture of the Nok Culture.

There are no skeletons preserved in the earth since the acidic soil dissolved all bones. Like their cemeteries, the temples and huts of the Nok have disappeared without a trace. No one knows what their farm animals, streets or religious ceremonies were like. However, archaeological excavations revealed shards of enigmatic, over 2000-year-old clay statues. They were found on rocky slopes, in ancient refuse pits, and in open spaces.

The largest of these impressive figures can stand up to one meter (3.3 feet) tall and resemble what might be kings or members of a social elite. Others wear horned helmets or carved-out gourds on their heads. A third of these figures are women.

Most Nok sculptures are hollow and coil-built like pottery. The eyes are triangular, the pupils are pierced, and the eyebrows are high and arched. Lightning-shaped tattoos adorn their cheeks. The clay figures are uniform, almost as if they had been mass-produced.

The artists sculpted clay bodies in standing, sitting, and genuflecting postures and the Nok head fragments were once part of entire bodies. The heads of Nok terracottas are invariably proportionally large relative to the bodies. The head was widely highlighted in the beliefs and traditions of many African people. One group represents the Yoruba of western Nigeria and the best example is terracotta head from Ife, the so-called Ife Head.

In their beliefs, the Yoruba regard the head (“ori”) as the seat of the divine power of the Supreme Being. In a person’s life, the head is the life source and a vital instrument controlling destiny and personality. The Yoruba people particularly highlighted the head like the crown of the body and the place where the soul dwells.

It is a human head that decides about one’s identity, communication, and perception.

The Nok Culture, with its enigmatic use of the innumerable terracotta figures, represents a promising example of this development.  For example, the ceramic vessels, which differ in form and decoration, allow us to identify developmental stages, which form a basis for the chronology of the Nok Culture," according to researchers.

One particular portion of the project, led by Prof. Dr. Katharina Neumann, is dedicated to the plant remains that are regularly found in the excavation areas. They provide information about the environment and the economy. It is already apparent that only a small number of crops were used during the Nok Culture.

"From the beginning, millet and a type of bean featured, along with various wild fruits; only after the end of the Nok Culture did oil palm and a grain called "fonio" also appear," explains the archaeobotanist Neumann.

"Under the circumstances, the conservative attitude of the people, as demonstrated by their limited crop spectrum and the standardized production of terracotta sculptures, was a reason for the disappearance of the Nok Culture after 300 BC."

Obscure Nok Culture - Who Were The Artists

No sub-Saharan people made anything comparable at the time, according to researchers.

Left: Nok Culture. source; Right: Sculpture of a half-bird half-man figure from the Nok culture (present-day Nigeria). 500 BC to 200 AD. source

The German researchers, which include geologists and paleoethnobotanists, have now used state-of-the-art analytical devices to examine this area. They use X-ray fluorescence devices, for example, to detect shattered bones, and their infrared cameras should make the remnants of buildings visible. In their initial findings, they have learned that the Nok inhabited the tropical region the Nigerian highlands of Jos, spanning more than 80,000 square kilometers (31,000 square miles).

Nigeria's political situation has halted the excavations near the Nigerian highlands of Jos, where the obscure Nok culture once flourished. They lived on cowpeas, millet and an olive-like fruit.

Particularly interesting is to learn how Nok people smelted iron. Excavations revealed arrowheads, knives, and iron bracelets. More research is needed to find more clues to explain this obscure culture, whose artists and craftsmen, for now, remain unknown.

Written by – A. Sutherland AncientPages.com Staff Writer

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