Yungang Grottoes: Marvellous Example Of Ancient Buddhist Rock-Cut Architecture

A. Sutherland - AncientPages.com - Yungang Grottoes is a stone carving treasure that is renowned all around the world.

Richly decorated grottoes, known as Wuzhoushan Grottoes in ancient times, are located on the southern foot of the Wuzhou Mountains, in the Shi Li River valley, 16 km west of Datong City.

There are 45 main caves, 252 niches (for a statue of Buddha) of different sizes and more than 50,000 stone statues (completed in sixty years) in which the largest one is as high as 17 meters while the small ones are only several centimeters in height.

The site stretches about 1 kilometer from east to west.

The ancient Chinese Buddhist temple grottoes that are excellent examples of rock-cut architecture, representing the outstanding Buddhist grotto arts of ancient China in the 5th to 6th century.

Yungang Grottoes were firstly cut in 453A.D. Although the statue making project lasted to 525A.D. most of the stone carvings in the grottoes were completed in 494A.D. Some 40,000 people, including the Buddhists from what is present Sri Lanka, contributed to the huge project.

According to the time of cutting, these grottoes can be divided into the early, middle and late stages.

The early statues are characterized by vigorous and unsophisticated customs of the Western Region while the grottoes of the middle stage are delicate and luxurious, showing complicated and changing artistic styles.

The move of the Northern Wei capital to Datong in 494 ended the intense period of construction and carving. There was some restoration during the Sui and Tang dynasties, and important repairs were carried out in the 11th and 12th centuries under the Liang Dynasty and later under the Qin.

These restorations continue today. Much of its history lies shrouded in mystery. The cave sites have only few inscriptions.

The complex consists  of large caves, including four groups of twin caves and one group of triple caves with the walls in the east, west and south sides, fully decorated with the statues of Buddha, even the roof is decorated with dancing fairies, centered with a lotus, which are very stately and graceful in appearance.

The Chinese palace building carvings and the Chinese style niche evolved on this foundation were all widely used in the construction of grotto temples in later times.

Although the scale of the grottoes of the late stage was reduced, the proportion of characters was appropriate. 

The arrangement and decoration of the grottoes predominantly demonstrates the style of Chinese buildings.

In addition, the dance with accompaniment, Baixi (recreational activities of the masses) and acrobatics carvings left in the grottoes all reflect the characters of the ideas of Buddhism in different dynasties and the social life in these times.

The whole grotto complex is magnificent with delicate carvings. All the statues are precious and vivid, representing the development of art, architecture, music and religion at that time.

Yungang is a relic of the Northern Wei Dynasty (386-534) of the nomadic Toba people. They recruited 3,000 monks from along the Silk Route to turn Buddhism into their state religion.

In 2001, the Yungang Grottoes were made a UNESCO World Heritage Site.

Copyright © AncientPages.com All rights reserved. This material may not be published, broadcast, rewritten or redistributed in whole or part without the express written permission of AncientPages.com

 Expand for references